Xikhigelo

Xikhigelo

[ Source of title : Nessa Leibhammer using JAG materials ]

Object

JAG 1987-3-56

Description [Source - Debra Pryor for FHYA, 2022, using spreadsheet created by Nessa Leibhammer for the South African Heritage Resources Information System (SAHRIS), from JAG materials in 2015: Object description: Retangular crossbar, curved and decorated near the flattened narrow ends with a series of incised parallel lines. One broken lug. The other a semi-circle facing front with a small hole pierced through it.Two short rectangular pillars resting on a rectangular block. The pillars are carved front and back with a series of horizontal rounded pleats, and the block is decorated front and back with two rows of incised horizontal lines. Base is ovoid with a pronounced waist cut into centre front anf back in which is a small semi-circle. Object form type: Headrest; Object material type: Wood; Technique: Carved; Colours: Brown; Object age: late 19th/early 20th century; Production place: Transvaal (now Limpopo Province); Cultural association: Transvaal Tsonga; Place of use: Transvaal (now Limpopo Province); Provenance: Collected at Elim, Transvaal c1930.]

Attributions and conjectures [Source - Nessa Leibhammer for FHYA, 2017: Comments on classification: In his 'A Preliminary Survey of the Bantu Tribes of South Africa', Union of South Africa, Department of Native Affairs, Ethnological Publications, Vol. 5, Pretoria, Government Printer, (1935): 7, 70-83, national government ethnologist, Nicholas Van Warmelo did not use the term "North Nguni". He grouped people living both north and south of the Thukela, under one umbrella term, "Natal Nguni", based on linguistic affinity. His classification was adapted by the ethnology curator, Margaret Shaw, in her 1958 "System of Cataloguing Ethnographic Material in Museums" which determined that items from the region were to be classified as "Natal Nguni: Zulu and others (not differentiated)." According to art historian, Anitra Nettleton, the classificatory system used by art galleries and museum shifted from Shaw's model to the one where "Natal Nguni" fell away and was replaced by "North/Northern Nguni" for KwaZulu-Natal and Swaziland because scholars found it difficult to distinguish items from adjacent areas, or emigrant people from those from the KZN region. Scholars working with the JAG materials used broad ethno-linguistic categories (Zulu, Xhosa, Tsonga, Shona, Sotho, Tswana) to identify the makers/users of the objects, all of which came to JAG without much by way of provenance, and identification was based on factors such as object type, materials, formal composition, style and surface patterning (emails A. Nettleton to N. Leibhammer, 25 and 28 November 2014).]

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Xikhigelo