Intshengula/izintshengula

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Intshengula/izintshengula

Metadata

Title

Intshengula/izintshengula

[ Source of title : FHYA using spreadsheet prepared by Nessa Leibhammer for SAHRIS ]

Material Designation

Object

Institutional Identifier

JAG 1997-9-37

Reproduction Conditions

Creative Commons License: CC BY-NC-ND https://creativecommons.org/licenses/by-nc-nd/4.0/

Descriptions and Notes

Description [Source - Debra Pryor for FHYA, 2022, using spreadsheet created by Nessa Leibhammer for the South African Heritage Resources Information System (SAHRIS), from JAG materials in 2015: Object description: Small spoon with single tine. The bowl is leaf-shaped. The neck region is embellished with two vertical rows of concentric circles with central dots ond one horizontal row framed by lines. These designs are carved into the surface and blackened. Object form type: spoon; Object material type: bone, pigment; Technique: carving; Colours: Ivory, black; Dimension comment: ; Object age: late 19th to early 20th century; Production place: KwaZulu-Natal; Cultural association: Zulu; Place of use: KwaZulu-Natal; Provenance: .]

Attributions and conjectures [Source - Nessa Leibhammer for FHYA, 2017: Comments on classification: In his 'A Preliminary Survey of the Bantu Tribes of South Africa', Union of South Africa, Department of Native Affairs, Ethnological Publications, Vol. 5, Pretoria, Government Printer, (1935): 7, 70-83, national government ethnologist, Nicholas Van Warmelo did not use the term "North Nguni". He grouped people living both north and south of the Thukela, under one umbrella term, "Natal Nguni", based on linguistic affinity. His classification was adapted by the ethnology curator, Margaret Shaw, in her 1958 "System of Cataloguing Ethnographic Material in Museums" which determined that items from the region were to be classified as "Natal Nguni: Zulu and others (not differentiated)." According to art historian, Anitra Nettleton, the classificatory system used by art galleries and museum shifted from Shaw's model to the one where "Natal Nguni" fell away and was replaced by "North/Northern Nguni" for KwaZulu-Natal and Swaziland because scholars found it difficult to distinguish items from adjacent areas, or emigrant people from those from the KZN region. Scholars working with the JAG materials used broad ethno-linguistic categories (Zulu, Xhosa, Tsonga, Shona, Sotho, Tswana) to identify the makers/users of the objects, all of which came to JAG without much by way of provenance, and identification was based on factors such as object type, materials, formal composition, style and surface patterning (emails A. Nettleton to N. Leibhammer, 25 and 28 November 2014).]

Events
Event Actor Event Type Event Date Event Description
Five Hundred Year Archive (FHYA) Online curation 2022- Digital image supplied by Nessa Leibhammer
South African Heritage Resources Agency (SAHRA) Digitisation c.2015 Digital image made for The South African Heritage Resources Agency (SAHRA). Metadata compiled by JAG's ex-curator Nessa Leibhammer for the South African Heritage Resources Agency (SAHRIS) database
Johannesburg Art Gallery (JAG) Custody 1997- JAG purchased this object from Mordechai Brodie
Anglo American Johannesburg Centenary Trust Donation [19-?]
Anglo American Johannesburg Centenary Trust Purchase [19-?]
Udo Horstmann Collection [19-?]
Unacknowledged Making YYYY
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Intshengula/izintshengula

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